Chelsea Mansions by Barry Maitland

Chelsea Mansions is the eleventh book in the Brock and Kolla mystery series, and now that I've read it I'm caught up. It was published a few months ago. I wouldn't be a bit surprised if it also ended up being the final (or next to final) book in the series.

When an elderly tourist is deliberately thrown in front of a bus after leaving the Chelsea Flower Show, it seems like a motiveless murder. Then a rich Russian expat is stabbed to death in the house next door to the hotel where the woman was staying. There's no obvious connection between the two, but Brock and Kathy both want to dig a little deeper and find out what's really going on. But Brock is sidelined by a bout of what seems at first to be the flu, and Kathy finds herself butting up against MI5.

The plot is only okay, certainly not one of the best plots in this series. The subplot of the nosy Canadian scholar who pushes his way into the investigation didn't do much for me. I won't spoil who he turns out to be, but let me just say that I definitely thought of Cousin Oliver being introduced on the Brady Bunch in a lame attempt to improve viewership. It didn't work for the TV show either.

I'm very glad I've caught up on the series. I'll still continue to read Maitland--and it looks like he's got another mystery out, one not part of this series, which I may chase down eventually. But I'm not all that into his books like I was at first. When I find myself thinking repeatedly, "Well, this book isn't the best in the series," it's not the individual book, it's the whole series.

B&N link

Dark Mirror by Barry Maitland

Well, I lied. Inadvertently, of course. I really did intend to wait a while before I read Dark Mirror, the tenth book in the Brock and Kolla mystery series, but I found myself reading it after all.

The plot is good, if the ending a tad unrealistic (which is something of a trend with these books). A university student working on her doctoral thesis collapses and dies in a London library, and is discovered to have been poisoned with arsenic. Kathy Kolla is assigned the case--her first really big case as a newly promoted Detective Inspector. But while the evidence starts to point to suicide, there are some strange details that don't add up.

Brock doesn't have much to do in this one, which disappointed me. He and Suzann argue and make up. Kathy proves once again that she has terrible taste in men. Same old same old. You know, the whole reason I fell for this series was the subtle characterization, the hints that Brock and Kathy might eventually end up together. That's long gone. When I was a kid, occasionally my brother would talk me into playing chess with him, and eventually he'd corner my king so that I had no choice but to move him back and forth, back and forth as my brother repeatedly moved his own pieces to keep my king in check without quite being able to checkmate me. This series has become that kind of chess game: repetitive, nothing new happening, the characters making the same moves over and over in each book. Maybe if I'd read them over the course of years instead of months I wouldn't have noticed it quite so much, but it's really obvious and really boring.

Anyway, there's only one more book in the series that I haven't read yet. And I warn you, I'm planning a trip to the bookstore on Thursday.

B&N link

Spider Trap by Barry Maitland

This is the ninth book in the Brock and Kolla series. My local B&N didn't have this one in stock when I dropped by a few days ago, so I ordered a used copy online for a buck and also bought the ebook for $9.99 +tax so I could read it right away. I'm worried that my fury at the publisher for the inexcusably piss-poor formatting of the ebook has leaked over into my appraisal of the text. Seriously, the formatting was obviously just a bad scan without any further proofing. Punctuation (especially quote marks) was missing, words were missing, parts of nonsense words were inexplicably stuck into sentences, paragraph breaks were missing or extra breaks appeared halfway through sentences. And it's not like this was a small publisher without resources. I think Minotaur Books--you know, part of St. Martin's--can afford to pay someone to glance through its ebooks to make sure they're, you know, readable before they upload them for readers to pay freaking ten bucks plus Tennessee's ridiculous almost-10% tax.

So anyway, the book itself. Meh. It started out promising, with Brock and Kathy assigned to investigate the execution-style murder of two teenaged girls in a poor neighborhood. When human bones several decades old turn up nearby, Brock is convinced there's a connection between the old murders and the new--and he has to face his own past as a detective sergeant in the neighborhood, and the unsolved cases he left behind.

Promising, yes. But in reality, the book is more about how Kathy has rotten taste in men and poor judgment when the plot requires it of her, and how Brock will not freaking break up with Suzanne but just goes back and forth without making any kind of decision. After nine books, it's getting damn old. Much of the action is summarized or observed rather than participated in by the main characters--there's a chapter and a half consisting of Brock and Kathy watching something important happen on TV. Yeah, really.

I have the next book, Dark Mirror, sitting in front of me. It too sounds promising, but I think I'm going to take a break from the series for a little while (cue cheering from our faithful readers). Maybe when I return to the last two books, I will remember why I liked the series in the first place--because frankly, after the weakly plotted and frustrating Spider Trap, I'm not eager to read anything else by Maitland.

B&N link

The Verge Practice and No Trace by Barry Maitland

The Verge Practice is the seventh book in the Brock and Kolla series. A world-famous architect's wife has been stabbed, and the architect has vanished. His car is found by the seaside with his clothes neatly folded and a note that just says "sorry," but police aren't buying it. They think he stabbed his wife and faked his suicide, and is hiding out in Barcelona. But when Detective Chief Inspector David Brock's team is assigned the case after it's gone cold, he and Detective Sergent Kathy Kolla start exploring other possibilities.

I really liked the book up until the time when I figured the whole plot out--with a hundred pages left to go. The theme of the book is basically The Meaning of Gender, and there are so many clues pointing to what actually happened that I didn't have any trouble figuring it out. I was really disappointed, even though the book itself is interesting as always. I also hated the ending.

No Trace is the eight book. In it, Brock's team has been assigned the case of two missing girls--and almost immediately, a third girl, six years old, is reported missing from her bedroom. Her father, a modern artist who made a splash five years ago after his wife's suicide, immediately starts a new work based on the girl's disappearance--and attracts immediate attention from his fans, who swarm into the area. But Brock and Kathy think there's something fishy about the third abduction, which is so much different from the first two.

This book was much, much better than the previous couple--dark, fascinating, themed The Meaning of Art (Maitland's insistence on themes is much more subtle usually than I'm making it sound, and adds to my enjoyment of the books). I thought I had guessed the murderer and was totally wrong, much to my pleasure. The plot has a number of twists that caught me by surprise, although the clues were laid cleverly and I should have caught them. And Brock's relationship with his sort-of girlfriend takes a surprising turn, while Kathy is still getting over her recent break-up with her boyfriend. In short, this is pure Maitland and exactly what I love about his books.

I'm glad I've reached the point in the series where the books are still in print and readily available. I bought No Trace at our local B&N and I'm hoping to pick up the next book today. But I am distressed that I've only got three more books to read before I've caught up and have to wait for the next one.

The Verge Practice B&N link (used book)
No Trace B&N link

Babel by Barry Maitland

I was going to wait and review this one in one post with the next Brock and Kolla mystery after I read it, but what the hell.

Babel, the sixth book in this series, is set only weeks after the events of the previous book, Silvermeadow. Kathy is on leave and working through the panic and bad dreams she's been having as a result of those events. Her supervisor, Brock, is looking into the murder of a prominent philosophy professor* at a London university. It seems possible that the murder had something to do with religious fanaticism, and clues begin to point to the local Muslim community. Before long, Kathy finds herself drawn into the case informally even while she questions whether to retire from the police force.

The plot in this one was the weakest of all the Maitland mysteries I've read so far. I waited for the twist, but when it came, it was so goofy that I was really disappointed. I was also disappointed that I guessed a major plot point from the (unnecessary) prologue and turned out to be right. I don't want to find out I've guessed right; I want to believe I'm right and learn that I totally misinterpreted the clues. I want the characters to be right, ultimately. But Brock and Kathy misinterpret someone's vague statement without questioning whether they might be wrong, and it was glaringly obvious (to me, because I guessed right) that they did so to set up the 'what a twist!' moment at the end. But it was all spoiled for me because of that damn prologue. What the hell was Maitland thinking?

I did like the interaction between Brock and Kathy in this one. I really enjoy seeing the way their lives intersect more closely as the series progresses. So I'm about to pick up book seven.

*I admit to a surge of glee when I realized a philosophy professor had been murdered in this book, and imagined him to be the same philosophy professor from The Vices, which I read and disliked recently.

B&N link (used book)

Silvermeadow by Barry Maitland

Yeah, well, I couldn't help it. I picked up the fifth Kathy and Brock (or Brock and Kolla, depending on what edition you buy) mystery. What can I say, it was right there and I needed something to read.

In this one, a teenaged girl has disappeared from Silvermeadow, a huge shopping mall, right before Christmas. Since Brock's old nemesis North, a bank robber responsible for the murder of several cops, has been spotted at the mall also, Brock arranges for his team to move in, ostensibly to investigate the abduction but actually to find out more about North's movements and plans. Then the missing girl's body turns up--crushed by the mall's trash compactors and wrapped in plastic--and Kathy uncovers rumors that other girls have disappeared from Silvermeadow.

A lot of Silvermeadow, particularly the first section, is told from Brock's point of view. I like that since Kathy's been the focus in the last couple of books. I like both characters, and I love their interaction in this book, subtle though it is. The plot is good, although not as tricksy as the other books in the series.

I wasn't as keen on the fact that Kathy delays following up on several important clues just because she's having an affair with another character. Since when does having sex make someone stupid? One of the things I like about Kathy is that she catches stuff no one else does, not even Brock, but she's not portrayed as very perceptive in this one.

I've ordered the next two books, though. Because apparently they're made of crack.

B&N link (used book)

The Chalon Heads by Barry Maitland

The Chalon Heads is the fourth book in the Brock and Kolla series. I hadn't intended to read it right after the third one, but I couldn't stop myself. I've got the fifth book lined up but will try to control myself.

I didn't wholeheartedly love the third book, but The Chalon Heads was much stronger. Kathy Kolla and David Brock are called in to investigate the kidnapping of a rich stamp collector's young wife. The ransom notes each come with a rare stamp cut in pieces. The trouble is, the stamp collector is well-known to Brock as a tricky, manipulative man with an unsavory past. He and Kathy don't know how much they can trust him about anything, even the kidnapping.

The plot is clever, if not as intricate as some of the previous books' plots. I loved the uncertainty about what crime has actually been committed and who is actually the victim. And there are a few twists in plot and character that really surprised me, in a good way--and even more revelations at the very end, which I expected (but still didn't see coming). It's a great mystery.

The theme of sexism does keep popping up in the series. I appreciate this, especially since it doesn't take over the books. I do wish that it was more realistic, though. If sexism in real life was as blatant as it is in these books, it would be easy to call people on it. But it's fiction, and fiction exaggerates.

While I did enjoy the book, at three times during particularly fraught scenes the narrative switches to present tense. I'm sure Maitland did this to make the action more immediate. But OMG, I was so frantically furious at being thrown out of the story by a tense change during the juiciest parts of the book! I really, really hope that this was a one-time experiment and doesn't pop up in the other books.

B&N link

All My Enemies by Barry Maitland

This is the third book in the Brock and Kolla mystery series, and while it was still good, it's much weaker than the previous two. Detective Sgt. Kathy Kolla starts her new job at New Scotland Yard's Serious Crime Division, working directly with DCI David Brock, and is immediately assigned to the violent murder of a young woman. As Kathy investigates, she finds connections between the woman's murder and a series of other brutal murders, all of them connected oddly with the theatre.

The plot was good, but not great. It relied a bit too much on coincidence and I didn't really buy the reasoning behind the murderer's actions. On the other hand, I was positive I had the whole plot figured out and I turned out to be 100% wrong.

The writing is still dense, but I found it a much faster read than the first two books. Maybe I'm just getting used to Maitland's style. There are a few short passages from other characters' points of view, but the story is almost completely told from Kathy's point of view, which I prefer. But although it's a 'Brock and Kolla mystery,' the two characters interact very little. Kathy barely thinks about Brock. I was disappointed since a big part of my interest in the series is the subtle development of the relationship between the two characters. Also, Brock scratches his beard so much in this one that I wondered if he had a skin condition, or fleas.

B&N link

The Marx Sisters and The Malcontenta by Barry Maitland

These are the first two of a series. If I can chase down the third and fourth, expect to see review of them pretty soon. They're excellent. The first book was published in 1994, and the eleventh is being released next week. It looks like the second book is out of print. I found mine at a used book store.

The books are densely plotted, clever murder mysteries with two main characters, Detective Sergeant Kathy Kolla of the Metropolitan Police--that's London--and Detective Chief Inspector David Brock of Scotland Yard. Their careers intersect in the first book when Brock is assigned to help Kathy on her first murder investigation. An old woman has died under questionable circumstances--the coroner isn't completely convinced it was foul play, but not completely convinced it was natural causes. Kathy is certain something fishy is going on. She and Brock piece together a profoundly complicated (and thoroughly satisfying) mystery.

The second book takes place about a year after the first. Kathy's been assigned to investigate a suicide at a health spa--but she and the coroner are pretty sure it was murder. But when she's abruptly taken off the case, which is then closed and labeled a suicide, she seeks out Brock for his advice. Again the mystery is complicated and satisfying.

I've seldom come across mysteries--or heck, any books at all--as well plotted as these. I had no idea who the murderer was or why he/she did it. The clues are planted deftly, the red herrings are all important to the overall story, and there are multiple motives. While I enjoyed reading the books and the fairly dark (sometimes claustrophobic) tone is lightened by flashes of low-key humor, they also took some concentration--although I never felt like I was trying to hold a timetable in my head.

The main characters are likable for the most part. They're hard to get to know. It's obvious the two feel some interest in each other, but their relationship moves very, very slowly. I like that. It's a nice change from so many mystery series where the main characters are starting to grope each other before the first chapter's over. I'm really looking forward to seeing how Kathy and Brock interact in the other books.

Like the subtle characterization, the pacing is slow and sometimes bogs down under its own weight. The first book had a lot of lengthy exposition which was mercifully absent in the second; but a big chunk of the first section of the second book is told in flashback as Kathy relates the events of her investigation to Brock, and a big chunk of the second part is Brock investigating on his own, after he checks into the health spa as a patient. I didn't mind the slow pace; it too is a nice change, and enough happens that it kept me interested and reading. I only caught myself skimming toward the end of both books, when I got impatient with having to read lengthy descriptions when urgent stuff was happening.

Murder mysteries in the 90s were big on having themes--usually social issues that the writer addressed as part of the plot. These two books are sort of like that, although I'm not sure Maitland was doing it on purpose or if it just fell out that way. The Marx Sisters seems to have the theme of Infidelity, while The Malcontenta seems to be about Sexism. I didn't notice the themes until the second book, when Kathy's investigation is shut down and she seeks help from Brock, and then I thought back and realized the first book had a theme too. Like I said, Maitland may not have intended these to be themed books, and the themes may very well run throughout the rest of the series. The only reason I really bring it up is because of a few lines in The Malcontenta which really, really bothered me.

Kathy has been explaining the situation to Brock, and here are a few lines of him mulling things over: "[H]e was concerned at her obvious antagonism towards Tanner, Beamish-Newell and Long--all of the main male characters in her account so far, apart from Dowling, whom she seemed to be mothering. He worried whether she was being objective enough in her assessments." (page 53 of my edition) It seems like an odd thing for him to wonder about, particularly under the weird circumstances of the case. And it didn't go anywhere: nothing to do with the main plot, nothing to do with the subplots, no further developments along those lines in Kathy's relationships with male characters in the rest of the book. So basically Brock just shows that despite his affable and polite appearance, he's actually deeply sexist himself and is ready to discount his colleague's account because she's female and can't handle working alongside males. It made me like him a lot less, and also made me hypersensitive to how Maitland, a male author, portrays Kathy, a female character. But Kathy is a believably strong woman, so I'll give Maitland the benefit of the doubt--although Brock had better not start spouting more of that kind of shit in the next few books or I'll drop the series.

Anyway, all that aside, I did really enjoy the books. I'm hoping the next ones are available as ebooks so I can start reading the third one tonight.

B&N link The Marx Sisters
B&N link The Malcontenta (used book)